An eclectic mix of poems in prose and free verse in this book of poems is a gift to the reader.
Robert L. Martin uses music to inspire his poems. His poems are deep and melodic and each one takes on a life of its own much like a piece of music. His form lends itself to free verse and the author himself says he doesn’t actually ascribe to one instead letting inspiration lead him in writing each poem.
This delightfully written and richly illustrated book is a perfect children’s book. It is the magical story of a young boy, Michael, and the little mouse who took him on a midnight adventure around the world.
I met the author and his wife, Suzanne, several years ago over lunch in Phoenix discussing fundraising strategies for an NGO they set up in Guatemala, “Seeds for a Future,” which provides training to impoverished rural women in and around Chocolá on the South coast, to improve family access to food and nutrition.
The cover of this seven section book is striking and draws you in. Setting expectations aside, Vermeersch lets the reader encounter a unique group of poems.
This book is divided into four sections and is a new adaptation on orphic hymns. The author was inspired during a meal in Athens. It is a unique presentation of a poem and then a dialogue after illustrating the poem.
The four sections of this book (House Reel, Travelogue, Answer Print, End Title) are intriguing. The author extends that creativity with an opening poem, “Luminology.” The way his book is put together is reminiscent of a play or movie.
This line “The best poems are written to be read by anyone” in Patrick Connors’ poem “To the Point” sums up what poetry should be.
For her first book of poetry, PJ Thomas writes compelling, flavorful verses. Her poems are magnetic and hook the reader from the very first line.
P.C. Vandall creates a poetry book in stages: egg, caterpillar, cocoon, and moth which peeks the interest of the reader upon opening the book. Her poems capture a contemplative imagination.